Constructing Movement in the Cinema
نویسنده
چکیده
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منابع مشابه
Ontology of Time in Cinema A Deleuzian reading of Still Life and Prince Ehtejab With an emphasis on the concept of Time-Image
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...
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